Wednesday, June 3, 2009
The path to the studio
When Nils and I met in January 2007, the only studio on the property was a very large damp and dark one which didn't inspire creativity except on the best of summer days when the doors could be open and the sunlight would filter in through the skylights. By mid-summer we had decided we needed a warm, light studio for both of us...and that we wanted to get married.
We staked out the size of the building (a little over 1000 sq ft), called an excavator and had the ground leveled three days before the wedding (September 2007). It made a perfect parking lot just down the hill from the house. A few guests commented, "My, you went to a lot of trouble and expense to create a parking lot!"...but of course, 3 days later the foundation crew had arrived and work began in earnest. By early Feb 2008, the studio was finished and we had moved in.
It's been a heavenly space for us to share. An area for the potter's wheel, Nils's painting and drawing area, my mixed media area, a tool area, a sink, and a space for the kiln just outside the door...and now a garden just outside the other door. The interior is all white with high walls perfect for hanging up lots of finished art. It is all heated with radiant-floor heating which makes it cozy any time of year.
We had young potter friends Jim and Matt put in steps down the hill through the woods so we could easily walk to the studio. Creative spirits that they both are, they took it a step further and crafted a small footbridge over a depression in the walkway, and created a dry streambed under it. A small shrine made from an old rotten log and a stacked rock sculpture, both of which make the path even more special, were additional gifts from Jim. A couple of Nils's sculptures also enhance the walkway.
Their creativity inspired us to rummage through our stash of driftwood, select 8 or 10 pieces, and, armed with an electric drill and some very long screws, create the railing you see pictured.
The path is the perfect transition zone from the "real" world to the zone of creativity in the studio, and every time I walk down or up, I think of Jim and Matt and how creative people can always take a rather ho-hum project to a level of inspiration and beauty.