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The Muse's Storage Box

The Muse's Storage Box
Copyright Diane Lou.

Alchemical Dreams and Disparate Realities

Rust and bones, broken toys and old text, game boards, gears and nests. Even as a child such odd, unwanted items evoked a pit-of-the-stomach response that bordered on exhilaration.
While I make no attempt to conjure up specific feelings in the viewer, the ambiguous juxtapositioning of familiar materials creates art that evokes half-forgotten, dream-like visions that beg to be interpreted by the viewer. There is a sense of deja vu (the already seen) tempered by a sense of jamais vu ( the never seen, or the illusion that the familiar does not seem familiar), and this contradiction asks the viewer to dig deeply, to look inside her own repository of wisdom, intuition and experience to find her own meaning in the familiar objects she sees.
The once-private discards of people's material lives that I collect for my art seem to carry universal memories with them, memories that can engage and mystify the viewer. Their beauty lies within the rust, the erosion, the wear, and the mere fact that they were once possessions.
I play with abandon and with no forethought. Each piece of detritus seems to suggest to me a relationship with some other piece, and I begin to put them together and wait for the mental "buzz" that lets me know I am proceeding as I should. Even at this point, I continue to remain in the play state and will not allow myself to direct the outcome of the piece, a process that requires complete trust. The outcome often mystifies me as much as it might any viewer.
Remember when, as a child, whatever was in reach became the instrument of your creative exploration? That is my life. A rusty, flattened piece of metal on the street, a gnawed bone by the roadside, a unique twisted branch from a tree, a fallen nest, a broken egg, a snake's skin, a dead butterfly...all will be added to my collection and eventually have their beauty honored in one of my pieces. The resulting art creates a new story with its own imagined history, one that invites the viewers to lay some claim on it by allowing themselves to be enveloped by the sight, the history, and the ambiguity of the realities before them.

Tuesday, January 19, 2010

Final Versions...

As promised, I am posting the final pictures of Number 4 and of Wings #1.  The last minute changes were rather small, but finished the pieces (at least in my mind!)

Here, a couple transparencies mounted on balsa wood now grace the two outer alcoves, and chains of various types, fastened together with milagros, drap across the piece. Sometimes I think it is now too busy. We'll see how it holds up as I look at it.

Number 4 changes are only removing the 4 hanging pieces from the wooden block at the bottom, and replacing them with a decorative metal piece, and adding the little resin-encased baby crab I mentioned before on top of the wooden block that is attached at the bottom of the piece.

In my next post, I'll start showing images of the 3 pieces that were just juried into the Wild Woman IX: Queen of Hearts show at River Gallery in Independence, OR.

I'll be teaching 3 classes at Art and Soul in Portland in October 2010. Check the Art and Soul website for details, workshops, and costs. Registration begins March 1, 2010. Hope to see you there!

Keep having fun!

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